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The Drunkenness and the Sea. The Life of Ernest Hemingway.

A writer is said to have remarked: "When I read Hemingway, a quarter of the way in, I'm drunk." There's truth in the joke. To read Hemingway is to swallow clear water that clouds the soul: with every sentence the world is stripped bare, and you grow intoxicated by the very nakedness of it.

Ernest Miller Hemingway was born on July 21, 1899, in Oak Park, that Chicago suburb of "wide lawns and narrow minds." The boy fled the ruts early. An ambulance driver in Italy during the Great War, he returned with shrapnel in his leg and a new conviction: life must be written as it arrives full, raw, unvarnished. Paris was waiting. In the Left Bank cafés, between Gertrude Stein and Scott Fitzgerald, he forged a revolutionary prose, stripped down like a punch. In 1926 came The Sun Also Rises Fiesta a novel of the Lost Generation, of bullfights and liquor drunk at daybreak. In it sits a line that sums up a whole age: "Isn't it pretty to think so?"

Then Spain, the civil war, the hills of For Whom the Bell Tolls. Then Africa, its plains, a plane crash that nearly killed him. The man chased the world, as though trying to exhaust it before it exhausted him. Wars, safaris, women, oceans: he collected lives the way other men collect stamps, and burned through each of them without flinching.

But it was in Cuba that Ernest finally found his anchorage. In 1939 he rented Finca Vigía the Lookout Farm a colonial house perched above Havana. He bought it in 1940 for eighteen thousand five hundred dollars, and lived there more than twenty years, among nine thousand books, polydactyl cats, and the boat Pilar moored like a promise. It was there, standing at his typewriter, that in 1951 he wrote his supreme masterpiece: The Old Man and the Sea. An old fisherman, a giant marlin, and a sentence carved into the flesh of the century: "A man can be destroyed but not defeated."

Cuba 1959.

The Pulitzer followed in 1953, the Nobel in 1954. Hemingway dedicated his glory to the Cuban people, whom he loved like brothers. In Cojímar, at the La Terraza bar, the fishermen called him "Papá." He was one of theirs.

In 1960 the revolution tore him from his island. The next year, in Ketchum, Idaho, the man who had tamed so many oceans surrendered to a final silence. But at Finca Vigía, now a museum, his Royal still sits on the desk, the books haven't moved, and the Havana wind keeps turning the pages. As though, somewhere, an old man were still fishing.

Henry de Toubeyre.

Beacons: https://beacons.ai/henrydetoubeyre

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